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Logic pro x control surface free.The Best Control Surface for Logic Pro X in 2022

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Logic pro x control surface free

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The entire unit itself is small enough to fit comfortably on a desk. But buying the best control surface for Logic Pro X isn’t easy. Complementing the encoder is a single mechanized fader. You then need to switch by a page to access parameters 9 to ❿


Logic pro x control surface free


Each device can run independently or can be part of a control surface group comprised of multiple devices as described in Create control surface groups in Logic Pro. The number of devices that can be used simultaneously depends on the number of free ports available on your system.

Using multiple control surfaces allows you to control more tracks and channels, effects, and other parameters simultaneously. Together with the free Avid Control app on your iPad or Android tablet, it provides great ergonomic efficiency, easy touch workflows, and Avid S6 -style metering and processing views, so you can mix more intuitively and turn around better sounding mixes fast. While Avid S1 fits easily between your display and keyboard, it packs a lot of mixing power into its small surface.

From motorized faders and knobs that respond to your touch, to fast-access touchscreen workflows and Soft Keys that enable you to perform complex tasks with a single press, S1 provides the speed and versatility to accelerate any music, audio post, or video project.

S1 not only features high-resolution OLED displays, it integrates with the free Avid Control app on your tablet, providing rich visual feedback to enhance your workflow. From track names, parameter values, and automation, to S6-style monitoring, metering, and channel processing views, you get the comprehensive feedback of a high-end console in a versatile surface for the budget-minded.

At the bottom of the front panel, there are the long-throw faders. The top of the panel features the Mute, Solo, Record, and select buttons. This is a departure from the Kontrol 2 which had the aforementioned buttons cradled between the faders. Aside from these buttons and the faders, the front panel has a single jog wheel and a scene button.

I like the increased functionality this offers. It allows me to change through 5 controller assignment pages with ease whenever I use it in the MIDI mode. The keyboard layout on this device is also intriguing. There are an additional 8 knobs and trigger pads as well as an axis touch controller. Given the focus on simplicity, all the buttons are clearly labeled Mute, Solo, Record, Select.

This really improves the user experience, at least for beginners. Additionally, the rear panel features a switch that toggles between the USB or Bluetooth mode. While testing, I found the connections easy to make and quite seamless. However, I encountered some connectivity problems when using the Bluetooth function on a low battery. Latency is also questionable over Bluetooth mode, but if you’re producing on Garageband, it’s more than acceptable. The NanoKontrol Studio is compatible with a number of apps.

When I connected the control surface to my MacBook, I discovered that there are plenty of modes available. The device functions just as a normal MIDI keyboard does when connected to the computer. Mapping had to be done manually as there is no Live remote script or Logic plug-in. However, the keys afford a lot of functionality. They offer the user a built-in Arpeggiator among other functions.

The touchpad has 3 different functions that are accessed by using the buttons just south of it. You can use it as pitch bend and mod wheels, you can use it as a controller, and it can be used to play notes. It has functional issues on iOS devices — though I don’t consider this a major issue since you’ll be using it with Logic Pro i. A major concern is build quality. The entire unit is housed in a lightweight plastic body.

A couple of bad drops and this plastic can crack easily. Given its portable credentials, I would have preferred a tougher body. Recommended for: If you want the best control surface for Logic Pro X with a wireless connection at a relatively cheap price, this is for you. It’s extremely easy to use and has none of the frills and features that might confuse a beginner. This unit from Zoom is designed specifically to work with Zoom’s F4 and F8 mixers.

However, since it’s USB, it works equally well with other USB-capable mixers or when you plug it directly into the computer. The entire unit is housed in a metal casing that makes it look really good. The tough body also ensures that it can stand the rigors of live gigs. The buttons and faders on this control surface look strong, firm, and of high quality. The interface and button overlay of the device makes it one of the easiest to use.

If you already use a Zoom mixer, that’s a massive win. The faders are tight and have the right amount of give. The LED display is bright and looks good even in sunlight. The quality of the rubber gel buttons is at par with Akai that is, not great, not bad.

I would have preferred at least one motorized fader, however. On the whole, if you’re recording live or outdoors, this is one of the best control surfaces for Logic Pro X you can find on the market. It has its limitations, especially given its limited compatibility, but the solid build quality and feature-rich performance make it a top choice. Recommended for: If you are looking for a portable and highly durable control surface to take on the go with you to locations, this will suit your needs.

If you already own a Zoom mixer, then you’ll find that this is easily one of the best control surfaces for Logic Pro X on the market right now. While most of the options on this list would be a good fit in any home studio, I feel that the X-Touch One offers the best mix of features, affordability and portability home studios need. To start with, i t is similar to the X-Touch Mini in size, albeit a tad larger. One way to describe the design and appearance of the X-Touch One is comparing it to cutting off one end of the X-touch.

It comes with the standard controls on the X-Touch; however, it has a single motorized fader, navigation functions, and transport functions. The single motorized fader is good enough for home studios albeit limited in live settings.

It’s also touch sensitive which gives you much better control over your fades and automations. Complementing it is a gigantic jog wheel that helps you move through tracks and settings on the fly. It’s not as smooth as the FaderPort but built well and does what it’s meant to do comfortably. The overall layout is very tidy. All the buttons are neatly arranged and labeled. LED scribble strips tell you exactly what track and position you’re currently in.

I would have liked a few encoders to balance out all the buttons, but you get a lot of mileage from this little unit. I enjoyed using this device due to its portability, compact nature, and the great support for major DAWs, including Logic Pro. The performance is satisfactory, and while it is not as robust feature-wise like its big brother the X-Touch, it is great in its own little way. While the build quality is markedly improved, it still suffers from that trademark Behringer fragility.

It won’t fall apart easily, but you better make sure not to drop it from a height. Strictly for home studios — dragging it to live gigs is living on the edge. The transport buttons are also a tad smaller for my tastes. They tend to merge in with the rest of the buttons on the unit — I would have preferred if they stood out more since you’ll be using them extensively.

A small niggle is the lack of a power button.


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