Adobe photoshop cc classroom in a book 2019 release with tutorial files pdf free download.Table of contents

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Enhanced Typesetting: Enabled; Page Flip: Enabled; Due to its large file size, this book may take longer to download. This sample file is only for promotional purposes to attract and motivate Graphics Designers and to know them about the reality of graphics World. This course. The 14 project-based lessons in this book show readers step-by-step the key techniques for working in Photoshop. Learn to correct, enhance, and distort.❿
 
 

Adobe Photoshop CC Classroom in a Book ( Release) | Adobe Press

 
Lesson Files To work through the projects in this book, you will need to download the lesson files from replace.me You can download the files for individual. This sample file is only for promotional purposes to attract and motivate Graphics Designers and to know them about the reality of graphics World. This course. The 14 project-based lessons in this book show readers step-by-step the key techniques for working in Photoshop. Learn to correct, enhance, and distort. This study guide uses text integrated with video to help you gain real-world skills that will get you started in your ca. Keywords: Adobe Photoshop CC. Contents 1. Cover Page 2. Title Page 3. Copyright Page 4. Where are the Lesson Files?

❿

 

Adobe Photoshop CC Classroom in a Book ( Release), First Edition [Book]. Adobe photoshop cc classroom in a book 2019 release with tutorial files pdf free download

 
Lesson Files To work through the projects in this book, you will need to download the lesson files from replace.me You can download the files for individual. This sample file is only for promotional purposes to attract and motivate Graphics Designers and to know them about the reality of graphics World. This course. The 14 project-based lessons in this book show readers step-by-step the key techniques for working in Photoshop. Learn to correct, enhance, and distort. This study guide uses text integrated with video to help you gain real-world skills that will get you started in your ca. Keywords: Adobe Photoshop CC. Contents 1. Cover Page 2. Title Page 3. Copyright Page 4. Where are the Lesson Files?❿
 
 

Adobe InDesign CC Classroom in a Book (2019 Release) – Adobe photoshop cc classroom in a book 2019 release with tutorial files pdf free download

 
 

Start your free trial. Show and hide more. Software Images icon An illustration of two photographs. Images Donate icon An illustration of a heart shape Donate Ellipses icon An illustration of text ellipses. EMBED for wordpress. If you need to restore the start files, download them from your Account page. You can also work with vector graphics, which are drawings made of smooth lines that retain their crispness when scaled.

When prompted, click Yes to confirm that you want to delete the Adobe Photoshop Settings file. In Photoshop, the Home screen appears as shown in the following illustration. Exit to Photoshop B. Home screen content C. Lightroom CC photos E. Create new document F. Open document G.

Search H. Creative Cloud profile When you start Photoshop, it displays the Home screen, which gives you a number of ways to get started. If you already know what you want to do, you can click the Photoshop icon in the upper left corner to go straight to the Photoshop application workspace.

The Search icon in the upper right corner is useful in three ways: Click it to enter text which Photoshop will use to find content in your synced Lightroom CC photos, in Adobe Stock images, and in Learn tutorials about Photoshop. To the left, you see a list of view options and buttons: Home presents informative content about the current version, including a tour.

When you upgrade to a new version of Photoshop, this screen may include information about new features and changes. There is a drop zone in the bottom right corner where you can drag and drop a document to open it in Photoshop, but you can actually drop a document anywhere within the Home screen to open it. Learn presents links to a range of tutorials that open in Photoshop, where the Learn panel leads you through the steps for each lesson using actual Photoshop controls.

Select the 01End. Click OK if the Embedded Profile Mismatch dialog box appears, and click No if a message about updating text layers appears.

The 01End. The end files in this book show you what you are creating in each project. Menu bar B. Options bar C. Exit to home screen D. Tools panel E. Share an Image button G. Workspaces menu H. Panels Note This illustration shows the Mac version of Photoshop. The arrangement is similar on Windows, but operating system styles may vary. The default workspace in Photoshop consists of the menu bar and options bar at the top of the screen, the Tools panel on the left, and several open panels in the panel dock on the right.

When you have documents open, one or more image windows also appear, and you can display them at the same time using the tabbed interface. There is one main difference between the Photoshop work area on Windows and that on the Mac: Windows always presents Photoshop in a contained window.

Do not close Photoshop. Notice that the filename was added to the Recent Files list in the Start workspace. We could easily fill the entire book with details on the wealth of Photoshop tools and tool configurations. Every lesson will introduce you to more tools and ways to use them. Selecting and using a tool from the Tools panel The Tools panel is the long, narrow panel on the far left side of the work area.

The 01Start. Tip You can customize the Tools panel by arranging, removing, and adding tools. Examine the status bar at the bottom of the work area Windows or image window Mac , and notice the percentage that appears on the far left. This represents the current enlargement view of the image, or zoom level. Click the Zoom tool icon in the Tools panel, or press Z to select it.

Move the pointer over the image window. The pointer now looks like a tiny magnifying glass with a plus sign in the center of the glass. Click anywhere in the image window. The image enlarges to a preset percentage level, which replaces the previous value in the status bar. Hold down the Alt key Windows or Option key Mac so that the Zoom tool pointer appears with a minus sign in the center of the magnifying glass , and then click anywhere in the image. Then release the Alt or Option key.

Now the view zooms out to a lower preset magnification, so that you can see more of the image, but in less detail. Note You can use other methods to zoom in and out. For example, when the Zoom tool is selected, you can select the Zoom In or Zoom Out mode on the options bar. Or, you can type a new percentage in the status bar and press Enter or Return.

If Scrubby Zoom is selected in the options bar, click anywhere on the image and drag the Zoom tool to the right. The image enlarges. Drag the Zoom tool to the left to zoom out. When Scrubby Zoom is selected, you can drag the Zoom tool across the image to zoom in and out. Then, using the Zoom tool, drag a rectangle to enclose part of the rose blossom.

The image enlarges so that the area you enclosed in your rectangle now fills the entire image window. Click Fit Screen in the options bar to see the entire image again. You have used the Zoom tool in four different ways to change the magnification in the image window: clicking, holding down a keyboard modifier while clicking, dragging to zoom in and out, and dragging to define a magnification area.

Many of the other tools in the Tools panel can be used with keyboard combinations and options as well. Zooming and scrolling with the Navigator panel The Navigator panel is another speedy way to make large changes in the zoom level, especially when the exact percentage of magnification is unimportant. The slider under the image thumbnail in the Navigator panel enlarges the image when you drag to the right toward the large mountain icon and reduces it when you drag to the left.

The red rectangular outline represents the area of the image that appears in the image window. When you zoom in far enough that the image window shows only part of the image, you can drag the red outline around the thumbnail area to see other areas of the image.

In the Layers panel, on the right side of the workspace, make sure the Rose layer is selected. In the Properties panel, move the Brightness slider to 98 and the Contrast slider to The image of the rose brightens. Adjustment layers let you make changes to your image, such as adjusting the brightness of the rose, without affecting the actual pixels.

Layering is one of the fundamental and most powerful features in Photoshop. Photoshop includes many kinds of layers, some of which contain images, text, or solid colors, and others that simply interact with layers below them. Saving the file with a different name ensures that the original file 01Start. That way, you can return to it if you want to start over.

Your image is bright and punchy and ready for a birthday card. You can change the foreground and background colors in several ways.

One way is to use the Eyedropper tool to sample a color from the image. Note When a layer mask is selected, the default foreground color is white and the default background color is black. In the Layers panel, click the Visibility column for the Ribbons layer to make the layer visible. When a layer is visible, an eye icon appears in that column. Select the Eyedropper tool in the Tools panel. Click the blue area in the Happy Birthday ribbon to sample a blue color.

Note If you have trouble finding the Eyedropper tool, click the Search icon near the top right corner of the workspace, and type eyedropper. The foreground color changes in the Tools panel and the Color panel. Anything you draw will be this color until you change the foreground color again. Using context menus Context menus are short menus that contain commands and options appropriate to specific elements in the work area. Usually, the commands on a context menu are also available in the menu bar or panel menus, but using the context menu can save time.

Select the Zoom tool , and zoom in so you can clearly see the lower third of the card. Select the Rectangular Marquee tool in the Tools panel. The Rectangular Marquee tool selects rectangular areas. See the illustration below. As you drag the tool, Photoshop displays the width and height of the selected area. Selection areas are shown by moving dotted lines, sometimes referred to as marching ants.

Select the Brush tool in the Tools panel. Click the arrow next to the General Brushes folder to expand it, select the first brush Soft Round , and change the size to 65 pixels. Press Enter or Return to close the context menu. Tip You can also close a context menu by clicking outside it. The selection is gone, but the blue bar remains.

Selecting and using a hidden tool The Tools panel arranges some of the tools in groups, with only one tool shown for each group. The other tools in the group are hidden behind that tool. A small triangle in the lower right corner of a button is your clue that other tools are available but hidden under that tool. Position the pointer over the third tool from the top in the Tools panel until the tool tip appears.

The tool tip identifies the Lasso tool , with the keyboard shortcut L. Select the Lasso tool. Select the Polygonal Lasso tool , which is hidden behind the Lasso tool, using one of the following methods: 1. Move the pointer over the left edge of the blue color bar that you just painted.

Click just to the left of the upper left corner of the bar to start your selection. You should begin your selection just outside the colored area. Click just to the left of the bottom left corner of the bar to create the second side of the triangle.

Click the point where you started to finish the triangle. Press the Delete key on your keyboard to delete the selected area from the colored bar, creating a notch for your ribbon. The ribbon is ready. Now you can add a name to your birthday card. In the Tools panel, select the Horizontal Type tool.

The buttons and menus in the options bar now relate to the Type tool. We used Minion Pro Italic, but you can use another font if you prefer. Specify 32 pt for the font size. We chose Pastel Yellow. The color you select appears in two places: as the Foreground Color in the Tools panel and in the text color swatch in the options bar. Note When you move the pointer over the swatches, it temporarily changes into an eyedropper.

Set the tip of the eyedropper on the swatch you want, and click to select it. Click the Horizontal Type Tool once anywhere on the left side of the colored bar. It replaces the placeholder text. Click the check mark icon in the options bar to commit the text.

Click the menu button on the Swatches panel to open the panel menu, and choose Small List. The text becomes selected. In the Swatches panel, scroll about halfway down the list to find the Light Yellow Orange swatch, and then select it. Click the check mark button to commit and deselect the text.

Now the text appears in the orange color. Tip You can also commit text edits by clicking outside the text layer. For the real world, Photoshop gives you the power to step back and undo actions so that you can try other options.

You can experiment freely, knowing that you can reverse the process. Even beginning computer users quickly come to appreciate the familiar Undo command. The name returns to its previous color. Each time you use the Undo command it reverses one more step, so if you want to undo five steps, you can apply the Undo command or its keyboard shortcut five times. The Redo command works the same way. Tip As you drag, magenta lines called Smart Guides may appear.

They help align the edges of dragged content to other edges and guides. Save the file. Your birthday card is done!

Rarely would you need to see all panels simultaneously. The complete list of panels appears in the Window menu. Check marks appear next to the names of the panels that are open and active in their panel groups. You can open a closed panel or close an open one by selecting the panel name in the Window menu. Note When panels are hidden, a thin strip is visible at the edge of the document. Hover the pointer over the strip to temporarily reveal the panels docked along that edge. You can hide all panels at once—including the options bar and Tools panel—by pressing the Tab key.

To reopen them, press Tab again. You already used panels in the panel dock when you used the Layers and Swatches panels. You can drag panels to or from the panel dock. This is convenient for bulky panels or ones that you use only occasionally but want to keep handy. You can arrange panels in other ways as well: To move an entire panel group, drag the title bar to another location in the work area. To move a panel to another group, drag the panel tab into that panel group so that a blue highlight appears inside the group, and then release the mouse button.

To dock a panel or panel group, drag the title bar or panel tab onto the top of the dock. To undock a panel or panel group so that it becomes a floating panel or panel group, drag its title bar or panel tab away from the dock.

Expanding and collapsing panels You can resize panels to use screen space more efficiently and to see fewer or more panel options, either by dragging or clicking to toggle between preset sizes: To collapse open panels to icons, click the double arrow in the title bar of the dock or panel group. To expand a panel, click its icon or the double arrow.

To change the height of a panel, drag its bottom edge. You can also pull the lower right corner in or out. You can open the panel menu even when the panel is collapsed. Note Some panels cannot be resized, such as the Character and Paragraph panels, but you can still collapse them. Notice that the tabs for the panels in the panel group and the button for the panel menu remain visible after you collapse a panel.

Special notes about the Tools panel and options bar The Tools panel and the options bar share some characteristics with other panels: You can drag the Tools panel by its title bar to a different location in the work area.

You can move the options bar to another location by dragging the grab bar at the far left end of the panel. You can hide the Tools panel and options bar. Tip To restore the default Essentials workspace, click the workspace icon at the top right corner of the application window, and choose Reset Essentials.

You cannot resize the Tools panel or options bar. You cannot stack the Tools panel or options bar in the panel dock. The Tools panel and options bar do not have panel menus. Changing interface settings By default, the panels, dialog boxes, and background in Photoshop are dark. You can lighten the interface or make other changes in the Photoshop Preferences dialog box: 1.

Select a different color theme, or make other changes. When you select a different theme, you can see the changes immediately. You can also select specific colors for different screen modes and change other interface settings in this dialog box. You can also open a scanned image of a photographic print, a transparency or negative film frame, or a graphic.

A selected tool remains active until you select a different tool. You can also use keyboard shortcuts or the Navigator panel to control the display of an image. This lesson steps you through the process of acquiring, resizing, and retouching a vintage photograph. View and access files in Adobe Bridge. Straighten and crop an image. Adjust the tonal range of an image. Use the Spot Healing Brush tool to repair part of an image. Use the Clone Stamp tool to touch up areas.

Remove digital artifacts from an image. Apply the Smart Sharpen filter to finish retouching photos. For many images, you may need only to change the resolution, lighten the image, or repair a minor blemish. For others, you may need to perform several tasks and employ more advanced tools and techniques.

Note In this lesson, you retouch an image using Photoshop. For some images, such as those saved in camera raw format, it may be more efficient to work in Adobe Camera Raw, which is installed with Photoshop. Sharpening should usually be your final step. For the other tasks, consider your project and plan accordingly, so that the results of one process do not cause unintended changes to other aspects of the image, making it necessary for you to redo some of your work. In Photoshop, resolution means the number of pixels per unit of physical length, such as pixels per inch ppi.

In Photoshop, resolution is the pixels per inch value, not the pixel dimensions. Does changing resolution affect file size? Only when the pixel dimensions change. But if you change the size in inches without changing the ppi value or vice versa , the pixel dimensions must change, and so will the file size. Resolution requirements vary depending on the intended output. An image might be considered low resolution when its ppi value is below to ppi.

Factors such as viewing distance and output technology influence the resolution our eyes actually perceive, and this affects resolution requirements too. This is because the device dots are grouped into larger halftone cells or inkjet dot patterns that build tones and colors. Whatever your medium, you should verify the appropriate image resolution of your final images by consulting with your production team or output service provider. Read the product description for more details. A Web Edition will be accessible from your Account page after purchase.

This eBook includes the following formats, accessible from your Account page after purchase:. EPUB The open industry format known for its reflowable content and usability on supported mobile devices. This eBook requires no passwords or activation to read. We customize your eBook by discreetly watermarking it with your name, making it uniquely yours. Comprehensive, project-based lessons teach key concepts for working efficiently with Adobe Photoshop tools, filters, and effects to touch up, modify, and transform images Updated and new lessons throughout address new features in Photoshop CC Official training series from Adobe Systems Inc.

All buyers of the book get full access to the Web Edition: a web-based version of the complete ebook enhanced with video and multiple-choice quizzes. Creative professionals seeking the fastest, easiest, most comprehensive way to learn from Adobe Press.

The 14 project-based lessons in this book show readers step-by-step the key techniques for working in Photoshop. Learn to correct, enhance, and distort digital photos, create image composites, and prepare images for print and the web.

Automate tasks with actions. Compile and edit video, including transition and motion effects. Use content-aware tools to seamlessly repair images. Prepare and print 3D objects. Coordinate designs with multiple artboards and preview them on mobile devices. Share assets with collaborators and update them easily.

Add advanced typographical effects and glyphs. In addition to learning the key elements of the interface, this completely updated edition covers soon to be revealed new features!

I would like to receive exclusive offers and hear about products from Adobe Press and its family of brands. I can unsubscribe at any time. Hover the pointer over the strip to temporarily reveal the panels docked along that edge. You can hide all panels at once—including the options bar and Tools panel—by pressing the Tab key.

To reopen them, press Tab again. You already used panels in the panel dock when you used the Layers and Swatches panels. You can drag panels to or from the panel dock. This is convenient for bulky panels or ones that you use only occasionally but want to keep handy. You can arrange panels in other ways as well: To move an entire panel group, drag the title bar to another location in the work area.

To move a panel to another group, drag the panel tab into that panel group so that a blue highlight appears inside the group, and then release the mouse button. To dock a panel or panel group, drag the title bar or panel tab onto the top of the dock. To undock a panel or panel group so that it becomes a floating panel or panel group, drag its title bar or panel tab away from the dock.

Expanding and collapsing panels You can resize panels to use screen space more efficiently and to see fewer or more panel options, either by dragging or clicking to toggle between preset sizes: To collapse open panels to icons, click the double arrow in the title bar of the dock or panel group. To expand a panel, click its icon or the double arrow. To change the height of a panel, drag its bottom edge. You can also pull the lower right corner in or out. You can open the panel menu even when the panel is collapsed.

Note Some panels cannot be resized, such as the Character and Paragraph panels, but you can still collapse them. Notice that the tabs for the panels in the panel group and the button for the panel menu remain visible after you collapse a panel. Special notes about the Tools panel and options bar The Tools panel and the options bar share some characteristics with other panels: You can drag the Tools panel by its title bar to a different location in the work area.

You can move the options bar to another location by dragging the grab bar at the far left end of the panel. You can hide the Tools panel and options bar. Tip To restore the default Essentials workspace, click the workspace icon at the top right corner of the application window, and choose Reset Essentials. You cannot resize the Tools panel or options bar. You cannot stack the Tools panel or options bar in the panel dock.

The Tools panel and options bar do not have panel menus. Changing interface settings By default, the panels, dialog boxes, and background in Photoshop are dark. You can lighten the interface or make other changes in the Photoshop Preferences dialog box: 1. Select a different color theme, or make other changes. When you select a different theme, you can see the changes immediately. You can also select specific colors for different screen modes and change other interface settings in this dialog box.

You can also open a scanned image of a photographic print, a transparency or negative film frame, or a graphic. A selected tool remains active until you select a different tool. You can also use keyboard shortcuts or the Navigator panel to control the display of an image.

This lesson steps you through the process of acquiring, resizing, and retouching a vintage photograph. View and access files in Adobe Bridge. Straighten and crop an image. Adjust the tonal range of an image. Use the Spot Healing Brush tool to repair part of an image. Use the Clone Stamp tool to touch up areas. Remove digital artifacts from an image.

Apply the Smart Sharpen filter to finish retouching photos. For many images, you may need only to change the resolution, lighten the image, or repair a minor blemish. For others, you may need to perform several tasks and employ more advanced tools and techniques.

Note In this lesson, you retouch an image using Photoshop. For some images, such as those saved in camera raw format, it may be more efficient to work in Adobe Camera Raw, which is installed with Photoshop. Sharpening should usually be your final step. For the other tasks, consider your project and plan accordingly, so that the results of one process do not cause unintended changes to other aspects of the image, making it necessary for you to redo some of your work.

In Photoshop, resolution means the number of pixels per unit of physical length, such as pixels per inch ppi. In Photoshop, resolution is the pixels per inch value, not the pixel dimensions.

Does changing resolution affect file size? Only when the pixel dimensions change. But if you change the size in inches without changing the ppi value or vice versa , the pixel dimensions must change, and so will the file size. Resolution requirements vary depending on the intended output.

An image might be considered low resolution when its ppi value is below to ppi. Factors such as viewing distance and output technology influence the resolution our eyes actually perceive, and this affects resolution requirements too.

This is because the device dots are grouped into larger halftone cells or inkjet dot patterns that build tones and colors. Whatever your medium, you should verify the appropriate image resolution of your final images by consulting with your production team or output service provider.

You may make copies of these files and save them under different names or locations, or you may work from the original start files and then download them from the peachpit. For more information, see page 3. In Lesson 1, you used the Open command to open a file. Adobe Bridge opens, displaying a collection of panels, menus, and buttons. Select the Folders tab in the upper left corner, and then browse to the Lessons folder you downloaded onto your hard disk, so that the lessons in the Lessons folder appear in the Content panel.

Adding files, folders, application icons, and other assets that you use often to the Favorites panel lets you access them quickly. Select the Favorites tab to open the panel, and click the Lessons folder to open it.

Thumbnail previews of the folder contents appear in the Content panel. Compare the 02Start. To enlarge the thumbnails in the Content panel, drag the thumbnail slider at the bottom of the Bridge window to the right. Tip In Bridge, you can see a larger preview of a selected item in the Preview panel. In the 02Start. Choose Photoshop from the Format menu, and name the file 02Working.

By default, cropping deletes cropped pixels. In the Tools panel, select the Crop tool. Tip Deselect the Delete Cropped Pixels option if you want to crop nondestructively, so that you can revise the crop later. Crop handles appear, and a crop shield covers the area outside the cropping region, to help focus your attention on the cropped area. Ratio is the default value. A crop overlay appears. Click the Straighten icon in the options bar.

The pointer changes to the Straighten tool. Click at the top left corner of the photo, press the mouse button as you drag a straight line across the top edge of the photo, and then release. Photoshop straightens the image so that the line you drew is parallel with the top of the image area. You drew a line across the top of the photo, but any line that defines either the vertical or horizontal axis of the image will work.

Drag the corners of the crop grid inward to the corners of the photo itself to crop out the white border. If you need to adjust the position of the photo, click and drag it within the crop grid. Press Enter or Return to accept the crop. The image is now cropped, and the cropped image fills the image window, straightened, sized, and positioned according to your specifications.

It can also automatically separate multiple photos scanned in one image. Click Curves in the Adjustments panel to add a Curves adjustment layer. Select the White Point tool on the left side of the Properties panel. The White Point tool defines what color value should be made a neutral white. Once defined, all other colors and tones shift accordingly.

When done correctly, this is a quick way to remove a color cast and correct image brightness. To set an accurate white point, click an area of the image that should be the brightest neutral area of the image that contains detail.

Clicking it removes the color cast and lightens it, dramatically improving image contrast and color. Click the Levels icon in the Adjustments panel to add a Levels adjustment layer. Typically, Curves is used for edits that are more specialized or complex.

The Levels histogram in the Properties panel displays the range of dark and light values in the image. Right now, you just need to know that the left triangle represents the black point the point Photoshop defines as the darkest in the image , the right triangle represents the white point the lightest in the image , and the middle triangle represents the midtones. Drag the left triangle black point under the histogram to the right, where significant shadow tones start to appear.

Our value was Drag the middle triangle a little to the right to adjust the midtones. Our value was. But only flatten if you no longer need the flexibility of adjusting the edits you previously made using separate layers.

The adjustment layers merge with the Background layer. He teaches workshops internationally as well as online on the care and identification of photographs. Find out more at gawainweaver. However, when dealing with works by famous artists, museums, galleries, and collectors need to preserve original objects to the greatest degree possible despite deterioration or accidental damage.

Professional art conservators are called upon to clean dust and soiling from print surfaces, remove discoloration and staining, repair tears, stabilize prints to prevent future damage, and even paint in missing areas of a work. Carleton E. This print was removed from its mount to remove the stains and then remounted.

In Photoshop, you can use a Curves adjustment layer to remove the color cast from an image. Likewise, you can use the Spot Healing Brush in Photoshop to spot out specks of dust or dirt on a scanned image. In Photoshop, you can remove a crease or repair a tear in a scanned image with a few clicks of the Clone Stamp tool.

After digitization, the original print can be safely stored away, while the digital version can be copied or printed for many family members. Often, we first clean or unfold family photographs to safely reveal as much of the original image as possible, and then we repair the remaining discoloration, stains, and tears on the computer after digitization. Note The Healing Brush tool works similarly to the Spot Healing Brush tool, except that it requires you to sample source pixels before retouching an area.

The Spot Healing Brush tool quickly removes blemishes and other imperfections. It samples pixels around the retouched area and matches the texture, lighting, transparency, and shading of the sampled pixels to the pixels being healed. Zoom in to see the crease clearly. In the Tools panel, select the Spot Healing Brush tool.

In the image window, drag the Spot Healing Brush down from the top of the crease. You can probably repair the entire crease with four to six neat downward strokes. Zoom in to see the white hair in the upper right area of the image.

Then use the Spot Healing Brush to paint over the hair. Zoom out, if necessary, to see the full sky. Then click the Spot Healing Brush wherever there are unwanted spots you want to heal.

Save your work so far. Type 4 into the Structure slider. The Structure menu determines how closely the patch reflects the existing image patterns. You can choose from 1 to 7, with 1 allowing the loosest adherence to the source structure and 7 requiring the strictest.

Drag the Patch tool around the boy and his shadow, as closely as possible. You may want to zoom in to see him more clearly. Photoshop displays a preview of the content that will replace the boy. Release the mouse button when the patch is positioned where you want it.

The selection changes to match the area around it. The boy is gone, and where he stood is a section of the bridge wall and of a building. The effect was pretty impressive, but not quite perfect. Using this tool, you can not only remove unwanted objects from your images, but you can also fill in missing areas in photographs you scan from damaged originals.

Tip You may need to set a larger brush size when editing higher resolution images. Make sure that the Aligned option is selected. Move the Clone Stamp tool to an area where the top of the bridge wall is smooth. Drag the Clone Stamp tool across the top of the bridge wall in the patched area to even it out, and then release the mouse button.

Each time you click the Clone Stamp tool, it begins again with a new source point, in the same relationship to the tool as the first stroke you made.

That is, if you begin painting further right, it samples from stone that is further right than the original source point. Deselect Aligned if you want to start from the same source point each time.

Select a source point where the bottom of the bridge wall is even, and then drag the Clone Stamp tool across the bottom of the wall where you patched it. Select a smaller brush size, and deselect Aligned. Then select a source point over the rightmost windows in the lowest row on the building you patched. Click across to create accurate windows there. Repeat step 6 to make any adjustments you want to apply to the lowest area of the building and the wall that runs in front of it.

If you like, you can use a smaller brush size to touch up the stones in the patched portion of the wall. Save your work. There are several ways to sharpen an image in Photoshop, but the Smart Sharpen filter gives you the most control. The colored dots you see are artifacts of the scanning process. The Threshold value determines how dissimilar the pixels should be before they are eliminated.

The Radius value determines the size of the area searched for dissimilar pixels. The default values are great for tiny dots of color like the ones in this image. Now that the artifacts are gone, you can sharpen the image. In the Smart Sharpen dialog box, make sure that Preview is selected, so you can see the effect of settings you adjust in the image window. You can drag inside the preview window in the dialog box to see different parts of the image, or use the magnification buttons below the thumbnail to zoom in and out.

Make sure Lens Blur is chosen in the Remove menu. Lens Blur provides finer sharpening of detail and reduced sharpening halos. Gaussian Blur increases contrast along the edges in an image. Motion Blur reduces the effects of blur that resulted from the camera or the subject moving when the photo was taken. Drag the Radius slider to about 1. The Radius value determines the number of pixels surrounding the edge pixels that affect the sharpening. The higher the resolution, the higher the Radius setting should usually be.

Your image is ready to share or print! Extra credit Converting a color image to black and white You can get great results converting a color image to black and white with or without a tint in Photoshop. Click Open. Adjust the color sliders to change the saturation of color channels.

You can also experiment with options from the preset menu, such as Darker or Infrared. Or, select the targeted adjustment tool in the upper left corner of the Properties panel, position it over a color you want to adjust, and drag horizontally. We darkened the bike and made the background areas lighter. If you want to colorize the entire photo with a single hue, select Tint in the Properties panel.

Printer resolution may be expressed in dots per inch dpi , because device dots do not always correspond to image pixels. As long as a selection is active, only the area within the selection can be edited. Reposition a selection marquee. Move and duplicate the contents of a selection. Deselect a selection. Constrain the movement of a selected area. Adjust the position of a selected area using the arrow keys. Add to and subtract from a selection.

Rotate a selection. Use multiple selection tools to make a complex selection. You first use one of the selection tools to select the part of an image you want to change. Then you use another tool, filter, or other feature to make changes, such as moving the selected pixels to another location or applying a filter to the selected area. You can make selections based on size, shape, and color. There are four primary types of selections: Geometric selections The Rectangular Marquee tool selects a rectangular area in an image.

The Elliptical Marquee tool , which is hidden under the Rectangular Marquee tool, selects elliptical areas. Freehand selections The Lasso tool The Polygonal Lasso tool traces a freehand selection around an area. The Magnetic Lasso tool works something like a combination of the other two lasso tools, and gives the best results when good contrast exists between the area you want to select and its surroundings. In the Favorites panel, click the Lessons folder. Study the 03End.

Move the thumbnail slider to the right if you want to see the image in more detail. Note If Bridge asks you if you want to import preferences from a previous version of Bridge, click No. The project is a shadowbox that includes a piece of coral, a sand dollar, a mussel, a nautilus, and a plate of small shells.

The challenge in this lesson is to arrange these elements, which were scanned together on the single page you see in the 03Start. You simply paint an area of an image, and the tool automatically finds the edges. You can add or subtract areas of the selection until you have exactly the area you want.

The image of the sand dollar in the 03Working. Select the Zoom tool in the Tools panel, and then zoom in so that you can see the sand dollar well.

❿