Adobe after effects cc visual effects and compositing studio techniques free
The green line atop the Timeline shows which frames are stored for instant playback.
Apr 12, · HitFilm Express is another free option comparable to After Effects, with a more compositing-focused workflow. You can key out your footage using two different effects, the Color Difference Key effect and the Hue & RGB Key effect. Conversely, if you need an even more powerful keying option, they also have a paid Chroma Keyer effect. Forty killer texture loops for After Effects. Think huge! These are 4K ( x ) files, made by hand in Photoshop and After Effects. Available as a Ray Dynamic Texture-ready AEP, or as QuickTime Movies or PNG Sequences if you like. Perfect for . High Performance After Effects Plug-in for creating Motion Design & Visual FX! Advanced 3D Object & Particle Render Engine. High Performance After Effects Plug-in for creating Motion Design & Visual FX! Latest After Effects: , , , CC , CC , CC , CC , CC , CC , CC, CS6, CS, CS5.
Note: For a newer long-form bootcamp version of this class, click here. But with the right instruction and a little perseverance, you can master it and create next-level images that will wow your audience. His easy-going, straightforward style takes the mystery out of this powerful program and makes you feel like you can tackle anything.
Ben divides this course into easy-to-manage, bite-size chunks, so you can master each skill one at a time and gradually build your confidence. Tips to automate repetitive actions to speed up your workflow using keyboard shortcuts. Ben will instruct you in everything from retouching to compositing to masking to troubleshooting, all the while giving you helpful examples and visual aids to drive home each lesson. Those who want to gain confidence in Adobe Photoshop and learn new features to help edit photos.
Ben Willmore is exceptionally and intimately knowledgeable about Adobe Photoshop and Lightroom, including Bridge and Camera Raw, and how they work together. He’s also a wonderful photographer. That’s great, but what’s even better for us is that he’s an incredible and generous teacher. He shares his knowledge and experience in an organized, thorough, thoughtful and relatable way.
I envy his efficiency with words and ideas! He isolates hard-to-understand concepts – things we’d be unlikely to figure out on our own – and explains them in simple terms and with on point and memorable examples.
I completely enjoy Ben’s teaching methods and his personality. His admiration and appreciation of his wife, Karen, are telling of what a good guy he must be, and he’s got just an overall pleasant personality.
I love his amusement when something “ridiculous” happens during an edit! This bootcamp is fantastic and just what I need. It’s only one of Ben’s many CL classes that I’ve watched and learned from – they are all excellent. Thank you, Ben Willmore. And Karen! While I’ve had some “novice” experience with PS, this course is moving me along in a totally different way. Most tutorials just tell you what to do.
Understanding better can lead to using the practices in PS more fluently AND to greater freedom to be creative. I find Ben’s approach to be kind of a “come as you are” session.
No matter where you are on the learning spectrum, there is something to review, something new, or a brand new challenge. The relaxed manner of presentation is great, but doesn’t minimize the content of the class.
I appreciate the additional explanations and theory. These help to make total sense of the tools and practices of good editing. I would really recommend that, if possible, you purchase the course. The practice images, the homework, and the evolving workbook are great review and reference points. Personally, I have downloaded the classes by week so I can view, re-view, and stop, start, and repeat segments as often as I need to –which is often!
Also, sometimes I like to view and work on one segment of the class at a time. Thanks, Ben! And thanks to your wife for her contribution as well. I’ve used PS for about five years in many of it’s various versions.
Learning on your won is a tough proposition, and I’ve struggled the whole time. Seeing work I admired and that inspired me to strive for great er things then not being ablr to figure out how to do them was a major frustration.
The jargon was sometimes foreign, the complexity of the program overwhelming but I soldiered on and learned bits and pieces. A friend recommended Ben’s course and I immediately came to CL to see what she was so thrilled about – I was amazed! Ben is down-to-earth, explains each step, gives shortcuts, defines terms, and shows how to accomplish what he’s teaching. After two weeks I bought the class. I not only bought the Photoshop course but I added the Lightroom course as well.
I’ll do that, on my own, when things slow down a bit, and I have no doubt that course will help me even more than the PS course. I’m totally at sea with LR. I like Ben’s teaching style, appreciate all the homework and extras included, and greatly appreciate the magnificent, easy to use, workbook by Ben’s wife.
I give my wholehearted endorsement for this course! Skip to main content. Buy Class. Sale Ends Soon! Save Class. Lessons Class Trailer. Show All Lessons. Class Description Note: For a newer long-form bootcamp version of this class, click here. Edges and Textures.
Hand-drawn Frames. Hand-drawn Graphics. Layout Templates. Practice Images – Lesson Tips and Tricks. Practice Images – Lesson Actions and Automation. Practice Images – Lesson Advanced Layers.
Practice Images – Lesson Advanced Masking. Practice Images – Lesson Advanced Retouching. Practice Images – Lesson Blending Modes. Practice Images – Lesson 2: Camera Raw.
Practice Images – Lesson 8: Color Adjustments. Practice Images – Lesson 5: Layer Masks. Practice Images – Lesson 4: Layers. Practice Images – Lesson 9: Retouching Essentials. Practice Images – Lesson 3: Selection Essentials. Practice Images – Lesson Shooting for Photoshop. Practice Images – Lesson Smart Objects. Practice Images – Lesson 1: Starting from Zero.
Practice Images – Lesson 7: Tonal Adjustments. Practice Images – Lesson 6: Tools and Panels. Practice Images – Lesson Troubleshooting and Advice.
Practice Images – Lesson Filters. Script Elements. Week 1 – Day 1 Homework. Week 1 – Day 2 Homework. Week 1 – Day 3 Homework. Week 1 – Day 4 Homework. Week 1 – Day 5 Homework. Week 1 – Photoshop CC Workbook. Bit Depth. Color Modes. Color Spaces. Logic of Keyboard Shortcuts. Pen Tool.
Week 2 – Day 6 Homework. Week 2 – Day 7 Homework. Week 2 – Day 8 Homework. Week 2 – Day 9 Homework. Week 2 – Day 10 Homework. Week 2 – Photoshop CC Workbook. Week 3 – Photoshop CC Workbook. Week 4 – Photoshop CC Workbook. Bens Actions Sampler ReadMe. Bens Actions Sampler. Bens Styles Sampler ReadMe.
Just as the name implies, the Alpha Add blending mode directly adds transparent pixels, instead of scaling them proportionally Figure 3. Select the middle three X Position keyframes—you can draw a selection box around them—and delete them. Block Size determines the width and height of the area each vector tracks; like Smoothing, lower values generate more noise, higher values less detail. You now have a placeholder of the correct length that is fully set up as soon as the file is rendered. Bring the sex. If the project can still be found on the available drives, it will open in the source After Effects project. The Comp Marker Bin contains markers you can drag out into the Timeline panel ruler.